Skyline broken social scene3/17/2023 Upcoming live info below.īroken Social Scene were widely considered to have stolen the show at last year’s End of the Road festival: “Bruised, beautiful and chaotically epic, Broken Social Scene are huge, in both numbers and sound.” reported The Guardian, while “singer Kevin Drew is a charismatic preacher” observed NME.įounded in 2002 by Kevin Drew and Brendan Canning, Broken Social Scene quickly established themselves as one of the most vital voices in independent music. Tickets for Manchester, London, Antwerp and Amsterdam go on-sale at 9am on Friday, 24th February, available from the band’s website. Kicking off in the UK with shows at the Albert Hall in Manchester and London’s Brixton Academy, Broken Social Scene then head to Europe for a number of dates culminating in a much-anticipated slot at the Primavera festival. This record of satisfying songs and memories, is one more lesson from the imitable band: if you bake enough bread for the people, even the crumbs left over will be enough for another meal.Having made an explosive return to the live arena at the end of last summer with acclaimed performances at Electric Picnic, Festival No.6 and End Of The Road, and currently putting the finishing touches to a long-awaited new studio album, BROKEN SOCIAL SCENE have announced news of a number of European live dates in late May and early June. Knowing them, they’ll probably tour this record as well, and draw from whatever members are available at the time. “All my friends in magazines / Got addicted to the word “leave” / And they all wrote songs that they believe / Little lies and massive dreams,” they sing on the twelfth track, “All My Friends.” “And they request that you slow it down.” This album is a chance for the BSS crew to “slow it down” while looking back at their impressive track record of productivity and creativity. It is their thing, after all, to take everything from everywhere and boil it down into something digestible to the ears and heart, to speak to our disillusionment or our grand hopes, with triumphant song. Tracks like the demo for The Apostles of Hustle’s “National Anthem of Nowhere,” give a little behind the scenes look, and while the album is less polished than their more proper recording, it shines pretty bright nonetheless. The album plays on the dynamics of loud to quiet, straight forward to abstract, raw to polished. The same way there might be a buzz about B-sides from the likes of David Bowie or Arcade Fire, this album is big news in an indie world who’s entire modern ethos has derived so much from this pivotal band. America” and “All My Friends,” this album acts like a magnet, drawing their expanding power back to a hot, central core. They’ve had such a meteoric effect on indie rock, and collective artistic experience, it is once again a how-to of indie rock, to see this collection of recycled songs from every stage in their lengthy career.įrom outtakes of their album Forgiveness Rock Record, like “This House on Fire” and “Golden Facelift,” which deal with the modern quandary with passion and pity, to tracks off their 2004 EP, EP to Be You and Me, like “Canada vs. As talented artists as they are, every track on their b-sides rivals main tracks on other indie rock artists’ albums. Broken Social Scene is already an eclectic bunch, with their experimental, mish-mosh, baroque indie sound, so it’s not strange at all for an album like this from them to work.
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